TABLE OF CONTENTS
PART ONE – DIATONIC HARMONY
INTRODUCTION THE BASICS 007
CHAPTER I PRIMARY TRIADS 015
CHAPTER II SECONDARY
TRIADS 029
CHAPTER III INVERSIONS
OF THE PRIMARY TRIADS 035
CHAPTER IV INVERSIONS
OF THE SECONDARY TRIADS 045
CHAPTER V THE
DOMINANT SEVENTH 053
CHAPTER VI SECONDARY SEVENTH CHORDS 059
CHAPTER VII INVERSIONS
OF SEVENTH CHORDS 063
CHAPTER VIII NON-CHORD
NOTES 069
CHAPTER IX CHORDS WITH MORE NOTES (9th,
11th, 13th) 083
CHAPTER X FIGURED BASS 091
PART TWO – CHROMATIC HARMONY
CHAPTER XI SECONDARY
DOMINANTS 097
CHAPTER XII DIMINISHED
SEVENTHS 103
CHAPTER XIII CHORDS
OF THE TONIC MINOR/MAJOR 113
CHAPTER XIV AUGMENTED
SIXTH CHORDS 119
CHAPTER XV OTHER
ALTERED CHORDS 129
CHAPTER XVI MODULATION 135
CHAPTER XVII NEW
TENDENCIES 159
(Late Romanticism, Impressionism, Modern)
PART THREE – HARMONIZATION
CHAPTER XVIII GENERAL CONSIDERATIONS 181
CHAPTER XIX CHORALE HARMONIZATION 191
CHAPTER XX KEYBOARD
HARMONIZATION 207
CHAPTER XXI HARMONY
AND THE KODÁLY CONCEPT 217
CATALOGUE
OF CHORDS 218
POPULAR
(JAZZ) CHORD SYMBOLS 229
PART FOUR – MUSICAL FORMS
CHAPTER XXII THE
PERIOD ( 8 BAR UNIFIED MELODY WRITING) 225
CHAPTER XXIII BINARY
(16 BAR MELODY WRITING) 243
CHAPTER XXIV TERNARY 251
CHAPTER XXV MINUET
& TRIO 253
CHAPTER XXVI THE BAROQUE SUITE 257
CHAPTER XXVII RONDO 261
CHAPTER XXVIII SONATA (SONATINA) 265
CHAPTER XXIX SONATA-RONDO 271
PART FIVE – EXERCISES
SUMMARY RULES
OF VOICE LEADING 281
PART I DIATONIC
HARMONY 285
PART II CHROMATIC HARMONY 317
PART III HARMONIZATION 339
PART IV MUSICAL FORMS 355
TYPICAL
EXAM QUESTIONS (GRADE 3-5) 371
INDEX 385
INDEX OF THE
EXERCISES 389