TABLE OF CONTENTS
PART ONE – DIATONIC HARMONY
INTRODUCTION THE BASICS 007
CHAPTER I PRIMARY TRIADS 015
CHAPTER II SECONDARY TRIADS
CHAPTER III INVERSIONS OF THE PRIMARY
TRIADS 035
CHAPTER IV INVERSIONS OF THE
SECONDARY TRIADS 045
CHAPTER V THE DOMINANT SEVENTH 053
CHAPTER VI SECONDARY SEVENTH CHORDS 059
CHAPTER VII INVERSIONS OF SEVENTH
CHORDS 063
CHAPTER VIII NON-CHORD NOTES 069
CHAPTER IX CHORDS WITH MORE NOTES (9th,
11th, 13th) 087
CHAPTER X FIGURED BASS 095
PART TWO – CHROMATIC HARMONY
CHAPTER XI SECONDARY DOMINANTS 101
CHAPTER XII DIMINISHED SEVENTHS 107
CHAPTER XIII CHORDS OF THE TONIC
MINOR/MAJOR 119
CHAPTER XIV AUGMENTED SIXTH CHORDS 125
CHAPTER XV OTHER ALTERED CHORDS 135
CHAPTER XVI MODULATION 141
CHAPTER XVII NEW TENDENCIES 165
(Late Romanticism, Impressionism, Modern)
PART THREE – HARMONIZATION
CHAPTER XVIII GENERAL CONSIDERATIONS 189
CHAPTER XIX CHORALE HARMONIZATION 199
CHAPTER XX KEYBOARD HARMONIZATION 217
CHAPTER XXI HARMONY AND THE KODÁLY CONCEPT 227
CATALOGUE OF CHORDS 228
POPULAR (JAZZ) CHORD
SYMBOLS 239
PART FOUR – MUSICAL FORMS
CHAPTER
XXII THE PERIOD ( 8
BAR UNIFIED MELODY WRITING) 245
CHAPTER
XXIII BINARY (16 BAR MELODY WRITING) 253
CHAPTER
XXIV TERNARY 261
CHAPTER
XXV MINUET & TRIO 263
CHAPTER XXVI THE BAROQUE SUITE 267
CHAPTER XXVII RONDO 271
CHAPTER XXVIII SONATA (SONATINA) 275
CHAPTER XXIX SONATA-RONDO 2281
PART FIVE – EXERCISES
SUMMARY RULES OF VOICE
LEADING 291
INDEX 399
INDEX OF THE EXERCISES 403